How you go about creating a mix bus-and indeed even the wording used to describe it-is going to be a little different in every DAW. We’ll look at these in more detail shortly, but first let’s look at how to create a mix bus. There are at least two other ways to utilize mix buses that can significantly help with organization and control in your mix: subgroups and aux channels. However, the master bus isn't the only mix bus you can create in a mix session. The master bus could also include things like EQ and compression for tonal shaping and “glue.” More on this later. This could be as simple as adjusting the overall level to properly utilize headroom and avoid clipping-although you shouldn’t get in the habit of using your master bus fader to control your monitor gain, rather, use the level control on your interface. The master bus gives you a way to make final adjustments to your full mix before the audio leaves your DAW. It’s also typically what’s routed to your speakers or headphones. Ultimately this is where your entire mix is funneled down to two channels and it’s what’s used to create the final stereo export, render, or bounce. It’s also usually a stereo bus-unless you’re working in surround-with left and right channels. It’s almost always created by default and is where any new channels you create in your DAW will be routed. The most common mix bus is the main stereo bus, also called the “2-bus,” or "master bus." If you only have one bus in your mix, it’s this one. What’s the difference between a mix bus and a master bus?
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |